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Peter Salisbury

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  • Moving Image Journal, 2017-2018

Thoughts on making ‘Mother and Daughter’


by Peter Salisbury

Cinematography: Composition and framing


by Peter Salisbury

The quadrant system of composing a frame


by Peter Salisbury

Subjective and objective character perspective


by Peter Salisbury

Widescreen framing


by Peter Salisbury

John Smith – ‘Playing with the Power of Language’


by Peter Salisbury

Reading: ‘Seeing with your ears – Spielberg and sound design’


by Peter Salisbury

Project 13: Soundscape. “…and you can go inside if you want to”


by Peter Salisbury

An exercise in listening


by Peter Salisbury

Field recording with the Rode i-XY


by Peter Salisbury

Sound in the Cinema


by Peter Salisbury

Reading: Interview with cinematographer Jose Luis Alcaine


by Peter Salisbury

Screening: ‘Agnes Varda: Gleaning Truths’, a retrospective at the Irish Film Institute, Dublin, 8th – 19th September 2018


by Peter Salisbury

‘Samsara’ (2012) dir. Ron Fricke


by Peter Salisbury

Colour & Story


by Peter Salisbury

Challenging the Hollywood ‘model’


by Peter Salisbury

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Recent Posts

  • Dialogue as action, whatever the language: ‘CODA’
  • Dialogue as Action: Portraying dementia in ‘The Father’
  • Implied Readership: Memory and Time in ‘Arrival’
  • Deep structure: Structuring the Tone in ‘Arracht’
  • Active Questions: Tinker, Tailor, Soldier…Who is Spy?

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